Secrets of Southborough Common

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Yesterday was the opening of the ‘Secrets of Southborough Common’ exhibition; an exciting showcase of the work funded by the National Heritage Lottery and undertaken by Kent High Weald Partnership, Southborough and High Brooms Archaeological Society and the Southborough Society.

The ongoing work of the Kent High Weald Partnership on the Common has made a huge impact on both the environmental sustainability of the site and for the enjoyment of visitors to our ‘cherished green space’. As part of their work Ian Johnstone and his team have been able to produce detailed mapping of the Common and have published three Southborough Common Circular Walk maps. Along with major clearing and path resurfacing tasks they have also led wildlife, bat and fungi walks and facilitated a Forest School for youngsters to engage with the local environment.

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SHAAS has been working on excavating the former ‘Brokes Mill’ site near Powdermill Lane and have unearthed some revealing finds which were on display. They have encouraged children to get involved by hosting some well-supported Archaeology taster days and welcoming visitors as part of the recent Heritage Open Days weekends.

The Southborough Society has sent off the first and most significant part of our archive to be digitised and are in the design stages of a new website that will display our photographs, postcards, maps and articles for the public to have access to for the first time. There was a preview at some of these rarely seen images and artefacts that link to Southborough Common as part of this group show.

Southborough Society’s sixteen panels detailing the Society and what it does, our Digitisation Project, The Common, St Peter’s Church and School and Cricket in Southborough.

Southborough Society’s sixteen panels detailing the Society and what it does, our Digitisation Project, The Common, St Peter’s Church and School and Cricket in Southborough.

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At 1pm some fifty people gathered for a guided circular walk led by Ian Johnstone around the Common. Ian was taken back by just how well attended the walk was; testament to how grateful local residents are of this beautiful area and how interested they were to find out more about the history of the Common.

Ian Johnstone, Kent High Weald Partnership, about to start the Circular Walk yesterday.

Ian Johnstone, Kent High Weald Partnership, about to start the Circular Walk yesterday.

The walk was based on ‘Walk One’ of the series of Southborough Common walks which featured ten points of interest, including the veteran oak and beech trees, the gravel pit, charcoal platform, former windmill site and the horse ring. Listening to the conversations, many people commented about how, although the regularly walk in the Common they didn't know about its fascinating history and rarely stopped to really look at the flora and fauna.

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A really warm and friendly atmosphere amongst the walkers . Here they are heading up along the Wortleberry Wood Bank.

A really warm and friendly atmosphere amongst the walkers . Here they are heading up along the Wortleberry Wood Bank.

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‘On the Boundary of Whortleberry Wood, 1892’. A photograph printed from a glass plate negative in the Southborough Society archive collection.

‘On the Boundary of Whortleberry Wood, 1892’. A photograph printed from a glass plate negative in the Southborough Society archive collection.

The boundary of Whortleberry Wood is a distinctive man made bank that was built up to enclose the wood from the ‘adjacent wood pasture and to prevent grazing animals from browsing the coppiced woodland’. Ian informed the walkers that evidence still remained towards the top of the bank of the iron fence that can be seen in the above photograph.

In the area known as the ‘Pineys’.

In the area known as the ‘Pineys’.

Heading towards one of the veteran oaks.

Heading towards one of the veteran oaks.

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The exhibition was buzzing throughout the day and we would like to thank all the visitors for coming along and also Ian Johnstone (KHWP) and Tony Palmer and Di Drummond (SHAAS). Last but not least, we would like to thank the National Heritage Lottery Fund who has enabled us all to participate in such a wide-ranging and beneficial project for the local community.

If you are interested in finding our more about Southborough Common and volunteering and local archaeology, check out the links below:

https://khwp.org.uk/

http://southboroughcommon.co.uk/

https://www.southborougharchaeology.org/

Commemorating Fifty Years: A Collaboration between Southborough Primary School and the Southborough Society

This year, Southborough School marks the fiftieth anniversary of its move to its current site in Broomhill Park Road; 2019 also marks fifty years in the life of the Southborough Society. To commemorate this special event, pupils from Southborough Primary will be undertaking an art project, ably assisted by Claire Clements, the Art Co-ordinator.

The children will be undertaking an exploration of Southborough’s High Street and the collaboration between Southborough C of E Primary School and the Southborough Society is planned to commemorate 50 years in the life of both organisations.

High Street
High Street Baker

Our high street is changing rapidly. If we look back at historical photographs and postcards, we can see how much the high street has changed in the last 50 years. Many of the shops and trades that would have seemed irreplaceable are now lost forever. Who now needs to visit a saddler or a milliner?!

Recording as artists what we see now will be valuable for future generations in understanding life in the early 21st century. It may be that camera shops and computer repair businesses come to be seen as exotic and strange as a fancy-goods shop!

The aim of this project is to create a snapshot of the high street; to document the sometimes-overlooked architecture of the everyday which contributes to the unique character of our town. Southborough’s high street includes buildings as old as the 16th century Weavers and as new as the planned retail spaces in the still to be built Hub development.

We are able to draw upon images from the Southborough Society’s archive of images of shopfronts, pubs, signage and street scenes and combine these with our own contemporary photographs.

Hartridge Bros Butchers, now Southborough Butchers.

Hartridge Bros Butchers, now Southborough Butchers.

Students have been working on a range of mixed media illustrations and have started to explore the drypoint etch print-making process. Their main inspiration has been drawn from Eric Ravilious’s 1930’s lithographs from ‘The High Street’ and the work of Kent based illustrator, Nina Cosford.

A lithographic illustration by Eric Ravilious’s ‘High Street’, published in 1938.

A lithographic illustration by Eric Ravilious’s ‘High Street’, published in 1938.

One of many studies of buildings and shopfronts by Hastings based illustrator, Nina Cosford.

One of many studies of buildings and shopfronts by Hastings based illustrator, Nina Cosford.

Here is a sneak peek of some of the work in progress-the artwork is already looking excellent! We can’t wait to see the finished outcomes and be able to share how you can take away a part of the High Street for yourself! (Merch alert! - stay tuned!)

A pin up of some of their illustrations so far…

A pin up of some of their illustrations so far…

A detail of Yashar’s Fish Bar; collage with ink drawing overlay.

A detail of Yashar’s Fish Bar; collage with ink drawing overlay.

One of the artists starting the dry-point etching process.

One of the artists starting the dry-point etching process.

Salomons Estate through the Years

A special thank you to Emily Gordon, from Salomons Estate who created the 190 Years of Salomons Estate event on Friday, 30th of August, which members of the Southborough Society Committee, along with other special guests were invited.

Guests were treated to a fascinating talk and tour from the museum’s curator, Chris Jones (who incidentally will be presenting our next talk in November).

If anyone has not been to visit the Salomons Museum, you must! The entry is free and you can see a wide range of objects and artefacts tracing the history of the Salomons family within its stunning original Victorian interior (and while you are there you can explore the picturesque grounds).

Emily has kindly written the article below about the evening and history of Salomons Estate.

Salomons Estate Through The Years

By Emily Gordon

Garden and grounds. Photo credit: Craig Matthews

Garden and grounds. Photo credit: Craig Matthews

Salomons Estate is known for little more than being a conference centre on the outskirts of Tunbridge Wells. After 190 years of fascinating history at the Victorian country house, it is about time we explored the untold tales of this hidden gem in our very own town.

Last month, 50 very special guests gathered to share their unique stories and experiences of Salomons Estate through the ages. Here we piece together the jigsaw puzzle that they collectively helped to shape.

James Beeny and Gina Georgio, who wrote the West End musical ‘The Dreamers’. Photo credit: Craig Matthews

James Beeny and Gina Georgio, who wrote the West End musical ‘The Dreamers’. Photo credit: Craig Matthews

Mayor and Mayoress of Tunbridge Wells, Cllr James Scholes and his wife, Jane Scholes. Photo credit: Craig Matthews

Mayor and Mayoress of Tunbridge Wells, Cllr James Scholes and his wife, Jane Scholes. Photo credit: Craig Matthews

Photo credit: Craig Matthews

Photo credit: Craig Matthews

The story starts in 1829 when Sir David Salomons bought a ‘very elegant small villa’ on the edge of Tunbridge Wells before tearing it down and commissioning the renowned British architect, Decimus Burton, to design the substantial country house that exists today. Sir David Salomons was one of the founding members of what is now known as Natwest Bank and was the first ever-Jewish Lord Mayor of London. The politician campaigned tirelessly for the equal rights of Jews and laid himself open to considerable penalties, speaking for his cause in the Houses of Parliament.

Sir David Salomons, (22 November 1797 – 18 July 1873).

Sir David Salomons, (22 November 1797 – 18 July 1873).

Salomons Estate is now part of the Jewish Country House Project, which celebrates Jewish life in the 19th and 20th centuries, and the world of the Anglo-Jewish aristocracy. Representing the Jewish Country House Project at the 190th celebrations was Thomas Stammer who is currently working on a book featuring Salomons Estate.

Sir David Salomons left the estate to his nephew Sir David Lionel Salomons who was a keen scientist and engineer, making history on several occasions. Sir David Lionel Salomons built laboratories, and workshops in the grounds and a unique science theatre to demonstrate his experiments, which is still enjoyed by visitors today. Among many of his outstanding achievements, Sir David Lionel Salomons was the first person in the UK to hold a motor show. He also had the law changed so that cars could travel more than 4mph, invented an electric exposing camera in 1895 and was granted a patent for his invention of the automatic railway signaling system.

Photo credit: Salomons Museum

Photo credit: Salomons Museum

Photo credit: Salomons Museum

Photo credit: Salomons Museum

The third notable member of the Salomons family to live on the estate was First World War hero, Captain Reginald Salomons. Visiting Salomons on the 190th anniversary were James Beeny and Gina Georgio, who wrote the West End musical ‘The Dreamers’ which tells the moving tale of Captain Reggie Salomons and his team of 128 men, mainly from Southborough and High Broom, who lost their lives on the HMS Hythe, which sunk off the coast of Gallipoli in 1915. Last December, James and Gina’s top West End cast performed The Dreamers in the renowned Abbey Road Studios.

Captain Reginald Salomons. Photo credit: Salomons Museum

Captain Reginald Salomons. Photo credit: Salomons Museum

In 1937 Reggie’s sister, Vera Bryce Salomons, gave the estate to Kent County Council for use as a convalescent home – in memory of her brother, father and great-uncle. In the 1970s it was transformed into a training centre for regional health authorities, during which time residential facilities where build.

Returning to the estate for the 190th celebrations was Liz Scholey, manager of the NHS center in the 1980s. Liz and her husband John were also celebrating their 20th wedding anniversary last month, which was made extra special by visiting the venue where they got married.

In the 1990s Salomons was handed over to Canterbury Christ Church University who continued to use it for educational purposes. To accommodate their needs, the University converted the stables into offices and lecture rooms and the residential facilities into accommodation.

Today Salomons is operated by Markerstudy Group, which celebrates all aspects of the estate’s history. The group encourages local residents to simply explore the grounds, visit the museum and learn more about the extraordinary family it was once home to. They are working on an ongoing refurbishment programme, which aims to restore the Victorian charm of the country house and retain the unique features that make it so intriguing. They also continue to facilitate education, training and conferences on site and welcome weddings and special occasions that bring the charming house to life.

Chris Jones, Curator, Salomons Museum. Photo Credit: Craig Matthews

Chris Jones, Curator, Salomons Museum. Photo Credit: Craig Matthews

Photo Credit: Craig Matthews

Photo Credit: Craig Matthews

Photo Credit: Craig Matthews

Photo Credit: Craig Matthews

Southborough Peace Day Celebration – July 19th, 1919.

Original programme cover printed by Arthur Dee’s Printers, based on London Road.

Original programme cover printed by Arthur Dee’s Printers, based on London Road.

A century ago, on July 19th, Southborough joined the rest of the nation, in celebrating the peace, which had been inaugurated by the signing of the Armistice, in 1918. After the sacrifices of the First World War, made by so many families, communities must surely have felt the need to come together, to celebrate that “the war to end all wars” was finally over. A hundred years later, we know that there was another World War to come, only twenty years on from the celebrations of Peace Day. But that, of course, is to anticipate. Anyone on Southborough Common on July 19th 1919 was more likely to be worried about the looming dark clouds (it did rain) or the intimidating appearance of the High Brooms tug-of war-team (they won!).

The programme for the Southborough Peace Day celebrations could be bought for 1d and you would certainly want buy one, to ensure you knew what was going on. The cover of the programme shows a female figure, looking rather like a Greek goddess, her elegant draperies, coloured a dusty pink, falling to her feet. Is she a symbol of Peace? She is certainly far removed from the doughty figure of Britannia which featured in First World War propaganda. Flowers and leaves twine around the figure, who seems to be looking wistfully into the distance.

The day of festivities began with a Royal Salute fired on the Common, followed by the pealing of the bells of St. Peter’s Church. At 1.30 pm singing “by the children”, launched the afternoon Sports. The prizes for adults must have tempted some to take part: 1st, 7/6; 2nd, 5/-; 3rd, 2/6. We know that some 250 children also received prizes. Twenty races are advertised in the programme. The familiar three-legged race, the egg and spoon, the potato race and the sack race all feature as well as the Veterans Race, for 50 years and over! There was also a Firemen’s Race.

Sack race in front of St Peter’s Church on the Common.

Sack race in front of St Peter’s Church on the Common.

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And then there was the mysterious “Tilting the Bucket”. Luckily, a postcard of the event has survived which shows what must surely be that event. The picture depicts someone riding on a kind of barrow, pushed by a partner, under a framework, from which a bucket is suspended. It’s hard to see quite how it all works, but it looks as if the bucket is set to pour water on to the head of the luckless victim below. The gleeful stance of schoolboy spectators suggests they would enjoy that very much indeed. And the Courier reports that “no competitor succeeded in getting through without being somewhat damp”!

‘Tilting the Bucket’

‘Tilting the Bucket’

There was, fortuitously, an interval for Tea at 4.00 pm. The report in the Kent and Sussex Courier describes 1,400 children sitting down to tea on the Common in front of St. Peter’s; that was quite a picnic! The provisions seem to have consisted of bread and butter and cake.

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The plan was to conclude the days’ events with a bonfire and fireworks at 9.45pm and before that, Mrs Edward Hutchings would give out prizes. It must have been a poignant occasion for Mrs Hutchings, as she perhaps thought of her son, Kenneth. He had died in 1916, aged 33, during the Battle of the Somme, bringing to a brutal end his future career as an England cricketer.

The events of the day were planned by a sizeable committee: 17 (all men!) organising the sports and 30 in charge of the tea. One might expect the tea committee to have been the ladies’ domain but, intriguingly, the subcommittee is chaired by a Mr. Draper and a good number of men joined the ladies in this group. There were also six clergymen, who were part of the tea committee; perhaps participation in sports was considered unseemly for a cleric! The Hon. Secretary for the Sports events was a Mr. Muggridge from 13, Edward Street, while the Tea Committee Secretary was a Mr Cox, whose address is simply given as “The Common”!

For some of those in charge of the celebration, the day must have been coloured by memories of lost sons, brothers and cousins. There were committee members from families whose lost ones are commemorated on Southborough’s War Memorial: Messrs Emery, Muggridge, Miller, Brown, Moore, Malpass, Luxton, Fletcher, Cooke. However, it’s clear that the Peace Day was meant for sheer enjoyment. “All inhabitants are respectfully asked to decorate their houses” is the request printed on the programme.

Not far away, Tunbridge Wells was also enjoying its own Peace Day celebrations. Large decorated arches spanned the roads at various points, and a huge procession marched through the town, led by bands and “decorated motors” carrying wounded soldiers. Following them were Police Cadets, VAD nurses, Scouts, The Life Brigade, the Fire Brigade, the Salvation Army, the Friendly Societies, many tradesmen’s decorated carts, the Mayor, Mayoress and Councillors and many, many, more.

There were Sports, as in Southborough, although strangely, in Tunbridge Wells, some races were reserved for “married men” and “married women”. Perhaps the cares of married life were thought to be a handicap for competitors in races? We were more liberal in Southborough, simply categorising races either for “Adults”, “Boys” and “Girls”, with the exception of a special 100 Yards race for Ladies.

By the time Mrs Hutchings was giving out prizes on Southborough Common the rain had begun to set in, so the ceremony was held under the trees. In Tunbridge Wells, the children’s entertainments in Calverley Grounds (conjurors, clowns and Punch and Judy) had been a great success but the steady rain, which began after tea, led to the postponement of the Festival of Song.

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Decisions had to be made about how to proceed with the programme for the evening. Southborough had hoped for dancing on the Common, concluding with a bonfire and fireworks. In the event, it was too wet for both fireworks and dancing, but the bonfire went ahead on the Lower Cricket Ground. It was “lit at 10 o’clock, a large crowd being present, in spite of the rain. The bonfire burned brightly, and an effigy of the Kaiser was burned, greatly to the delight of the younger element. This brought the day’s celebration to a close”.

We can imagine Mr Muggridge and Mr Cox, the two Hon Secs, going home, pleased with their day’s work. And let’s hope that Mr E B Usherwood, so nearly winner of the quarter-mile flat race, retiring within twenty yards of the tape because of “overstrain”, felt much better the next day.

By Heather Evernden